Thread Together: A global first – diverting brand-new unsold clothes destined for landfill and providing choice to restore dignity and hope to the most disadvantaged across the country.
Thread Together exists to manage fashion excess by salvaging new unsold clothing and redistributing it to those in need. We address the environmental issue of new clothing waste and the social challenge of clothing insecurity. We believe that everyone, regardless of their circumstances, deserves access to essential clothing supporting their dignity, confidence and self esteem.
By transforming fashion excess into valuable resources for individuals and families facing hardship, we contribute to a more sustainable and equitable fashion ecosystem.
Thread Together is proud to collaborate with Collarts by providing unusable excess clothing for redesign and repurposing. This initiative helps reduce waste and keeps fashion in circulation, demonstrating our commitment to sustainability and innovation.
Threads Regenerated Supply Chain Artwork & Threads Regenerated Market Stall Artwork by Tahu Stormer
Alt Baddie Bloomers by Phoebe Rose Gray are bold, alt-fashion pieces with sleek black babylock ruffled edges, lace, and a black bow for a fierce, feminine touch. They embrace alternative colors and intricate details, with a hint of attitude (and maybe some booty). Inspired by the art of ruffling, Phoebe infuses her unique, bold style into these bloomers. The vibe? Grimes' Miss Anthropocene and "Solid Liquid Gas" by Earth Eater – perfect for slaying in these stunning creations.
Soundtrack on SpotifyThe Sweetheart Bag by Jodie Tian is made from deadstock trim, charms, and upholstery fabric in ethereal clubhouse colors. It's a kitschy, maximalist piece—girly, dollhouse-inspired, fun, and feminine. Jodie once distanced herself from "girly" aesthetics but embraced the idea that liking pretty things doesn't diminish strength. Nurturing takes more effort than destruction. In short: Be girly because it's fun! The vibe? Lana Del Rey's Honeymoon sets the perfect tone.
Soundtrack on SpotifyThe Toodie Like Tiddie Top by MJ, inspired by Scout Willis' 2014 free-the-nipple walk, was born from a funky shimmer dress, turned into a reversible camisole. Perfect for festivals, gigs, or casual outings, it was designed to encourage festival-goers to go topless. With a black slinky lining to soak up sweat, it's fun, versatile, and free-spirited. MJ envisioned adding a hood for future festival wear. The vibe? A fusion of ENNY's hip-hop and Marlon Hoffstadt's trance techno.
Soundtrack on SpotifyThe Berlin Brat Harness by Stephanie Troiano draws from the grungy festival and Euro rave scene. Mixing dance and sportswear with lingerie, it was designed for artists like Sara Landry or Peggy Gou. Initially a garment concept, Stephanie deconstructed sports bras to keep the shape but not the look, playing with contrasting colors and adding hardware for an industrial edge. Vibe? Perfect for dancing or casual outings, it pairs well with a maxi skirt or tee. DJ Sara Landry and Charli XCX's 365 sets the mood.
Soundtrack on SpotifyBillboard Bralette by Katrina Stylianou Inspired by a Dior photoshoot and rave and festival culture. This piece can be layered over a tee, dress or blouse for daywear. It was an interesting process working out how to create a closure for the back and the stretch fabric applique was tricky but I ended up hand stitching it. Made for Miley Cyrus! Listen to Queer Pop like Chappel Roan and Space Girl by Frances Forever.
Soundtrack on SpotifyBRAG - A Bra Bag What A Drag! By Laurel Marzan Inspiration is wanting more storage without compromising sexiness! It was a brazzier which I rearranged the straps to and added a golden chain for an accent. It is a hip bag that can also be used as a drop purse - so it can go from festival to formal. This bag was made for Abbie Chatfield on a dinner date! Listen to Abbie Chatfield (song or podcast) while wearing.
Soundtrack on SpotifyThe Pearlescent Dream Set by Rhiannon Engel is inspired by the serene, free movement of jellyfish. Featuring colors of sand, translucent jellyfish, pearl shimmers, and the summer ocean, the design started with moodboards and drawings. Rhiannon cut up a strapless summer dress and blazer lining to create a triangle bralette crop top and mid-length ruffled shorts. Perfect for Sabrina Carpenter in Italy, the vibe is light and playful. The soundtrack? Sabrina Carpenter and "Something In The Water" by Boysworld
Soundtrack on SpotifyA Spring In Your Step by Mikayla Scott draws inspiration from Gobchang Streetwear pants and festival vibes. Using Kookai dresses for the pant legs and a mini dress lining for adjustable straps, Mikayla draped and experimented with ruching placement on a mannequin. She reused an invisible zip for the back. As for a celebrity? Mikayla says, "Down with celebrities!" The perfect soundtrack? Anything with a high BPM to match the bounce of these pants.
Soundtrack on SpotifyEunice crafted a fluffy bag inspired by vintage duvets using reclaimed ties. She deconstructed and wove the skinny parts into a quilted pattern, creating a unique, eco-friendly design. Picture Wisdom Kaye at the Met Gala with it, listening to Weird Kaytranada. Eunice upcycled donated ties into yarn for a crochet bag.This sustainable project showcases eco-fashion. Imagine Benulus at a Sabrina Carpenter pop-up with it, vibing to "Super Graphic Ultra Modern Girl
Soundtrack on Spotify6/16 by Kelsey Fraser embraces fashion's shift towards inclusivity, designed to fit women’s sizes 6 to 16. Made from two men's dress shirts—sleeves for the top, bodies for the skirt—this adaptable design celebrates body diversity and the natural changes in size. By repurposing materials, Kelsey highlights sustainability and self-expression in fashion. The vibe? Listen to Black Hearts on Fire by JET, Send Me on My Way by Rusted Root, and Belong Together by Mark Amber while rocking this fit.
Soundtrack on SpotifyTie Top by Sophie Blackney: Sophie crafted this hand-sewn top from traditional ties and a pocket square, combining hand and machine stitching. Repurposed cut-offs and pocket squares make up the interior. Perfect for bold fashion icons like Wuzgood, it's a unique, everyday statement piece. Listen to "Time of the Season" by The Zombies while wearing it. Tie Trench by Sophie Blackney: A trench coat made from old ties and a suit jacket, hand-stitched for a creative, bold look. The Ice King would wear it!
Soundtrack on SpotifyIn 'The Healing Stitch' workshop by Loz Vandermaat, I believe clothing should be repaired to show they are well-loved and valued. I've been visibly mending my own clothes and volunteered for the Collarts knitwear repair workshop at MFW. My sample aimed to make the mended section stand out in the busy pattern. Embroidery is easy to learn and transforms garments. I’ve created embroidered patches for attendees to personalise and repair their knits, adding unique touches and respect for their clothes
Stylist Thea Basiliou | Photography Lindsay Elise Deyman | Model Sophie Duvanjik | Styling Assistant Mary-Jane Scanlon
As the founder of Eco Styles, Nina Gbor is a sustainable fashion educator, international speaker, researcher, clothes swap maven and eco stylist. Eco Styles engages with media, councils, organisations, schools, community groups and individuals to develop strategies for systems change towards a holistic circular and sustainable fashion future.
Nina Gbor is the Director of the Circular Economy & Waste Program at The Australia Institute. She was featured in season 3 of ABC TV's award-winning environmental series, War on Waste. Nina was also an impact consultant on the War on Waste tv show.
Nina has a master’s degree in International Development and guest lectures at universities in Australia and abroad.
Sarah A. Bendall is a dress, material culture and gender historian. Her work focuses on the production, trade and consumption of global commodities and fashionable consumer goods between 1500-1800, with particular expertise in seventeenth-century dress and recreative methods. She is a Senior Lecturer in History at ACU and was appointed as a fellow of the Royal Historical Society in 2023.
Her first book, Shaping Femininity, was published with Bloomsbury in 2021. It was shortlisted for the Society of Renaissance Studies (UK) biannual book prize in 2022 and awarded highly commended. It was also profiled in media outlets such as the Australian Financial Review, The Conversation and Daily Mail Online.
She is currently writing her second book, The Women Who Clothed the Stuart Queens, which is also under contract with Bloomsbury. It uncovers the lives and work of the women who made, sold, managed and cared for the clothing of the Stuart queens between the years 1603 and 1714.